Anders Lunde Science documentaries

For research groups, institutes and funded projects

A documentary film about your research

I make 3–15 minute science films that people outside your field will actually watch. Every claim is tied to a source, you approve the script, and the finished film is usually ready two to three days later.

250,000+
views on my science documentary channel since it launched in August 2026
29,000+
hours watched
35+
films published, from the Big Bang to human origins
2–3 days
from approved script to finished film, sometimes one

Films

From From Cosmos to Civilization, my documentary series on the history of the universe and of life. These are the kind of films I would make about your work. The production system improves every week, so the newest films show what you would get today; older episodes use an earlier narration voice.

Where Did Homo sapiens Really Come From?

16 min · newest film, current narration

How our species took shape in Africa between about 320,000 and 60,000 years ago, over a long time and in many places, through populations that split and rejoined.

Where Mitochondria Came From

23 min · 55,000 views

How an archaeon and an oxygen-breathing bacterium merged for good, and how the partner became the mitochondrion through gene loss, gene transfer and protein import.

The Origin of the Genetic Code

36 min · molecular biology

How the ribosome reads a gene, why protein shape is the payoff, and what chemistry can and cannot yet explain about where the codon table came from.

The Big Bang

20 min · physics

The first 380,000 years: how the first atomic nuclei formed in minutes, and the measurements, from light-element abundances to the cosmic microwave background, that tell us so.

Why Humans Walk on Two Legs

15 min · 5,700 views

From the disputed Toumaï fossils to Lucy and the Laetoli footprints: how apes that still climbed trees came to walk upright, one part of the body at a time.

The Origin of Chloroplasts

32 min · 23,000 views

How a captured cyanobacterium became the chloroplast, and how photosynthesis later spread as other cells captured whole algae.

What can go into your film

Each film mixes the kinds of material below, chosen shot by shot for what the science needs. All clips are taken from my own films. Under each one is where it came from and its licence, the same record every film gets in its credits.

AI video reconstruction Scenes no camera recorded, generated for the film. Here: the Toba super-eruption. Made for the film (Grok Imagine)
Animated reconstruction A designed scene brought to life. Here: Neanderthal hunters on a lakeshore. Made for the film (MiniMax H3)
Reconstructed portraits Faces and moments from the past, based on the fossil evidence, with slow camera moves. Made for the film (OpenAI image model)
Custom scientific animation Anatomy, mechanisms and processes, built in code for each film. Here: how the voice box makes speech. Made for the film
Molecular machinery The ribosome building a protein, one amino acid at a time. Made for the film (The Origin of the Genetic Code)
Real protein structures Human hemoglobin with its iron-bearing heme group and bound oxygen. Rendered from PDB 2DN1 (Park et al.), via Wikimedia Commons, CC0
Cell biology How proteins made in the cell are imported into the mitochondrion. Made for the film (Where Mitochondria Came From)
Physics The first atomic nuclei forming minutes after the Big Bang. Made for the film (The Big Bang)
Chemistry Where each element in the Solar System was made: in stars, stellar explosions and neutron-star mergers. Made for the film
Data, maps and timelines Drawn from the papers. Here: which human species lived when. Made for the film
Figures from the research Published figures, credited. Here: a 60,000-year-old quartz arrow tip with traces of poison. Isaksson, Högberg, Lombard et al. 2026, Science Advances, CC BY 4.0
3D scans of real specimens Museum and lab scans, turned on screen. Here: a cast of the Homo floresiensis skull. Service de biologie du comportement, ULiège, via Sketchfab, CC BY 4.0
Archive photographs Openly licensed photos of fossils, artefacts and sites. Here: a stone point from Blombos Cave. Vincent Mourre / Inrap, Wikimedia Commons, CC BY-SA 3.0
Fieldwork and lab photos From research institutes, or from you. Here: excavation at Jebel Irhoud, Morocco. Shannon McPherron, MPI EVA Leipzig, CC BY-SA 2.0
Licensed stock footage Real landscapes and wildlife. Here: a braided river in South Iceland. BlackBoxGuild, Envato Elements (commercial licence)

Put together, with narration and music

From Where Did Homo sapiens Really Come From? A rock-shelter photo (Högberg & Lombard, CC BY 4.0), an animated reconstruction, stock forest footage (Envato), a reconstructed scene and a paper figure (Isaksson et al. 2026, CC BY 4.0).
From Who Were the Denisovans? An animated reconstruction, a reconstructed portrait, a paper figure (Kaifu et al., CC BY 4.0), aerial stock footage of Flores (Envato) and a 3D skull scan (ULiège, CC BY 4.0).

Where the material comes from

Every image, clip and sound is logged with its source, creator and licence, and listed in the film’s credits. In films made for you, everything is either made for the film, supplied by you, or used under a licence that allows your use.

Made for your film

Scientific animation built in code, AI reconstructions (Grok Imagine, MiniMax H3, OpenAI image models), narration and chapter titles.

Open archives

Wikimedia Commons; NASA, ESA, ESO and NOIRLab image libraries; US government agencies such as NOAA; Smithsonian Open Access and other museum open-access collections.

The scientific literature

Figures from open-access papers under CC BY (via Europe PMC, PubMed Central and journal sites) and datasets on Zenodo.

Data and maps

Protein structures from the RCSB Protein Data Bank; Natural Earth maps; GEBCO ocean-floor data; PALEOMAP and EarthByte plate reconstructions.

3D specimens

Scans of fossils and specimens on Sketchfab, released under Creative Commons licences.

Licensed libraries

Stock footage and music from libraries such as Envato Elements, under their commercial licences.

Your own material

Figures, photos, microscopy and field footage that you own or have permission to use.

What I leave out

Material marked non-commercial or no-derivatives (CC BY-NC, CC BY-ND) and copyrighted figures, unless the rights holder gives permission.

See every source and licence used in my series on its credits site.

Choose the voice

Ten of the narration voices I have designed or tested recently. All are synthetic. Pick one, or I design a new voice for your film from a description (age, accent, tone) and direct how it reads: pace, warmth, emphasis and pauses. Narration works in most major languages, and a human narrator, including someone from your group, is also possible.

  1. Modern British science presenterMale, late thirties, clear and lively
  2. Deep British baritoneThe current voice of From Cosmos to Civilization
  3. Mature British femaleRich, warm and low
  4. British natural-history narratorMale, older, lightly weathered
  5. American female altoComposed, warm and precise
  6. American investigative baritoneMale, focused, a little grain
  7. American cinematic bassMale, deep and measured
  8. American young explainerMale, early thirties, relaxed
  9. American storytellerMale, mature and approachable
  10. American female, brightFriendly and engaging

Other languages

The same opening passage, translated and read by voices designed for each language.

  1. SpanishFemale, Castilian Spanish
  2. GermanMale, standard German
  3. Mandarin ChineseFemale, standard Putonghua

What every film includes

  • A script built from your papers. Every claim is linked to its source in a claim sheet you can check line by line.
  • Your approval before production. You correct anything that is wrong, overstated or not yet published.
  • Custom scientific animation of molecules, cells, anatomy, timelines, maps and data.
  • Reconstructions, your own figures and openly licensed images, all credited on screen and in a full credits list.
  • Narration in the voice and language you choose, and a licensed music score.
  • English captions and an HD master for your website, YouTube, talks, teaching and funder reports.
  • As many rounds of changes as you need on the finished cut.
  • Fast delivery: usually two to three days after you approve the script.

How it works

  1. Send your papers

    We have a 30-minute call about the story you want to tell, who it is for and which voice fits.

  2. Script and claim sheet

    You get the full script with sources. You fix anything I got wrong. Nothing goes forward until you approve it.

  3. The film

    Usually ready two to three days after you approve the script, sometimes the next day.

  4. Changes and delivery

    Comment with timestamps, as many rounds as you need. Then you get the film, captions and credits list.

Pricing

Explainer

$750

3–5 minutes

One finding, explained clearly. For a paper release, a project page or the start of a talk.

Series

$6,000

Four films, 10–15 minutes each

For a multi-year project or a research centre: one film per result, delivered as the work comes out.

Prices in US dollars. Half at the start, half on delivery. I can invoice your institution or work from a purchase order.

How the films are made

I built my own production system, and AI does much of the work in it: it helps with research, drafting, animation code, images and narration. I direct and edit everything, check the science myself and make the final decisions. You approve every claim before production starts.

Working this way is what makes these prices and this speed possible. It is also why the process starts with sources and your approval: speed is only useful if the science is right.

About me

I’m Anders Lunde. I have a master’s degree in molecular biology from the University of Oslo and a PhD in developmental neuroscience, where my research involved transcription factors and RNA sequencing. I also work as a software developer.

For the past six months I have been building the production system behind From Cosmos to Civilization. Every source and image used in the series is listed on its credits site.

Questions

How do you make sure the science is right?

The script is written from your papers and the literature they cite, and every claim is linked to its source. You review the script and the claim sheet before production, and the cut before delivery. Nothing goes into the film that you have not seen.

How can it be that fast?

Most of the production work, from animation to narration and editing, runs in a system I built for it. The slow part is usually the review on your side, and you can take as long as you need.

Can we use our own figures, microscopy or field footage?

Yes, and the film is better for it. Send whatever you have, and I will combine it with animation and openly licensed material.

Can the film be in another language?

Yes. Narration works in most major languages, and captions can be added in more than one. Tell me the audience and we will pick the language and voice together.

Where can we use the film?

Anywhere, with no time limit: your website, YouTube, social media, conferences, teaching and reports to funders. Material from other sources is used only under licences that allow this, and every item is credited. I may show the film in my portfolio unless you would rather I didn’t.

Can it be part of our grant’s communication plan?

Films are a common item in communication and outreach plans. I can write the quote and invoice in whatever form your funder or finance office needs.

Is the film made for scientists or for the public?

Usually for curious people outside your field: students, funders, policymakers and the public. We decide on the audience in the first call, and the script is written for them.

Tell me about your project

Send a paper or a few sentences about your work. I will reply with a film idea and a quote within two working days.

I use what you send only to reply to you. It is stored on a server in Finland and deleted on request. This site uses no cookies or tracking.